copyright: Dec 19th 1995 by Frank Fremerey
translated by: Arno Selhorst
The technology developed for DAB is to be used to bring
the INTERNET to mobile users
2.
DAB is Bandwidth for mobile users, not a linear medium
3.
If linearity evolves, only due to the customers wish in
his client-machine
4.
The journalistic editorial staff has to preset the topics, music styles and
hourly schedules.
5.
>>acoustic paging<< means to combine pieces of music
with layout and oral presentation; The next time, the
same song is played, the next layout and presentation is to be played.
6.
When a piece of programming is played, the listener can
give his rating to develop his >>personal playlist<< in
the interaction with the software. His >>personal playlist<<
will then be modified accordingly.
7.
The button >>new<< plays a new song. >>New rotate<< plays
a >>teasing<< of new songs.
8.
Every piece of data is only transmitted once. To
cache the information and for the kick-start of the
project the client-machines have one of the new several-
gigabyte recordable media, holding about 18.000 minutes
of programming, MPEG-encoded.
9.
The copyright-authorities get paid by really-listened-to
minutes of a production. Charts are the monthly
statistics of the >>personal playlists<<. While uploading
the information for statistic purposes an update of the
player software is transmitted downstream. Data security
and anonymity is granted by the according media authorities.
10.
When the cache-media are full, the least-requested
piece of programming is automatically deleted.
11.
Public and private programmers are distinguished by
price-performance relations: A private programmer
delivers news, reports and music once, including ads,
public ones deliver a choice of 50 different news-,
reports- & music-selections, some even without ads,
both charge DM 25 monthly.
12.
Spoken programming is dialogue: >>acoustic, moderated
news-group<<. The journalists make up the rules of
the game. People, who do not meet the rules, will not
be heard. Even journalists might be excluded by
majority-vote of the listeners. The media-authority will
have a clearing-office to avoid censorship.
13.
Every piece of programming will be deleted automatically
after a certain period of time unless the customer
demands the contrary by pushing the button >>keep<<.
He might be charged the remaining copyright-fee then
by the copyright-authority. His >>docking-station<<
will automatically backup the data the user wants to keep.
In fact: this is a realistic way of distributing
digitizable content. Offline-distribution will
minimize.
14.
The listeners contact each other in off-air-clubs outside the >>acoustic news-groups<<. Exchange-partys for >>personal playlists<< will be popular.
The clubs will develop into social meeting points,
independent of traditional social structures.
They will be >>democratic seeds<< of higher or lower
intellectual standards, independent of status and
income.
15.
Radio- TV- newspaper- and magazine-programming
will melt into oneanother. Jurisdiction has to
adapt to that fact.
This will bring NRW into the lead of the development,
>>US-IT-gurus<< will come to NRW to learn.
The last FM-analog content provider will shut down in 2005.
Bonn, December 18th 1995, 20.00-20.45 hours
1.
